Extras include fedoras, boas, or tiaras for each of your guests in addition to premium seating, a balloon bouquet, a round of shots, and a photo opportunity with the cast after the show.
In addition to offering general admission tickets, guests also have the option of purchasing VIP party packages for private events. Shows last approximately two hours, giving you and your friends the chance to relax and enjoy yourselves. Regular show titles include Dinner Von Tease, a comedy and burlesque show that includes a four-course dinner menu to The Glam Girls of Burlesque, a late night revue.
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Louis venue offers a high-end entertainment experience for adults.įamed for their dinner shows, The Boom Boom Room works with professional local entertainers who offer everything from fantastic singing and burlesque shows to inspiring dancing and cirque performances. Built in an old 1920s speakeasy, this exciting St. Keep that passion burning and you’ll stay long in the game.Whether you are planning a bachelorette party, a date night, or an evening out with friends, The Boom Boom Room has the dinner show for you. I want to be blown away - be it with an emotional number, an energetic dance flairs or even a silly comedic performance. Someone with a strong stage presence and who has the courage to take risks are key traits to be an engaging performer. “I am drawn to queens who are genuine and take pride in the drag artistry and consistently pushing their craft to the next level. She has this to say for aspiring drag queens in Singapore. It's at Drag Race Thailand, a reality competition based on the show, that Vanda Miss Joaquim represented Singapore and ending her reign at fourth place.
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"Drag as Performance Art has evolved immensely, thanks to TV shows like RuPaul's Drag Race crossing over into the mainstream, and the younger audience appreciating and supporting it unbiasedly." Dick Lee said. The series, which is available on Netflix Singapore, proved so popular that it's now going into its 14th season, with multiple spin-offs including international franchises.
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This transformation could be partly attributed to RuPaul's Drag Show, a reality television series from America which started in 2009. Still, more than a decade later, drag culture has been elevated to an art form beyond big wigs, dramatic makeup, sky-high heels and on-point lip-syncs.ĭrag queens are now triple threats and more, and can be expected to lip-sync, act, sing, dance, host, model, paint their faces and make costumes, all rolled into one fabulous package. They must be able to take constructive criticism and believe in themselves." There’s no place for the new queens to perform and gain more experience nowadays. We had Boom Boom Room where we performed regularly so old queens had more experiences. "There’s really not much of a difference except to evolve with the trend. When asked about what he thinks are the main differences between the old and new queens, and what advice might he have for aspiring drag queens, Kumar reflected. While decentralised after Boom Boom Room's closure, drag found a way to survive in Singapore through small communities and shows across the tiny island. In fact, it seemed that the public even celebrated the tradition that was Bugis Street."Īfter Bugis Street got slated to develop into the shopping attraction it is today, Boom Boom Room relocated to Far East Square in 2000, before shutting its door for good in 2004. "I'd like to think that Singaporeans have always only seen Boom Boom Room as pure entertainment, putting aside the original connotations of transvestites in association with Bugis Street. When asked about how he felt about the evolution of Boom Boom Room, Dick Lee has this to say. Lys is known for her impersonations of divas such as Madonna, Lady Gaga and Marilyn Monroe, while also being an esteemed choreographer and regular feature at shows such as ActionforAids, Pinkdot and Hyper Sundays.
Helda was the host of Asia’s Uncut Season 1 on Star World and has walked for Jean-Paul Gaultier during Singapore Fashion Week 2007. On their own, these two queens are also powerhouse performers.
He wrote most of his own scripts filled with clean jokes, which, unfortunately, were not as popular as the risqué jokes and observations about daily life in Singapore, which he is now famous for.Īpart from stand-up performances, Kumar also performed with fellow queens Helda and Lys, to popular tunes of the era. There, Kumar’s routines included song and dance in addition to stand-up comedy. It was at the OG Boom Boom Room where Kumar got his big break, as he was offered the starring role at the new establishment in 1992.
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